Algae bloom on the river

Tying up the layers

Double weave

Double weaving the rectangles

River with rapids

Mohawk River & tributaries

Dry point with reticulation

Mohawk River Watershed

Reticulation

Nightlife in Childhood

Drypoint

Tumbling in Circles

Drypoint

Mohawk River & Watershed

Dry point with loosely outlines counties

Portions of Mohawk River Watershed

Industrial view from the Mohawk River

Chasing Shapes

Waves, Circles & Sharp Objects

Drypoint

Beaver Dam

These pieces are interpretations of my experiences in childhood, motherhood and my professional life. At times, tumultuous and chaotic and at other periods, soft and gentle.

Long Island Sound from Madison, CT,

Embroidery on the loom

Roller Coaster

Embroidery on linen

Raising Children

Embroidery on woven tapes

NJ Prison System

Embroidery on found fabric on the grounds of the form Edna Mahon Women’s Prison

Headless at Times

Embroidery on equine pads

System study

Embroidery on woven prayer flag

I love connections, especially ones that occur naturally and organically, ones that flow into and with each other and ones that honor humans and non-humans.

I have been loving and living fibers in many different forms for close to 35 years and still find it fascinating. For me, weaving is a narrative full of stories of how it became a textile; where the yarn was harvested, spun, twisted and dyed, how the loom accepted the weight of the yarn and moved into place to make the full tale of beauty and magic and meaning.

In recent years, I have added printmaking as a method of illustrating what I cannot through weaving such that the limitations of each medium can be minimized without a loss to the meaning of the work. I let the ink move through the crevices in the paper and rest where there is space and pick up and travel again. It is in the flow of the ink where the magic happens.

A resolute believer in multiple experiences, I have been fortunate to navigate and spend time in different worlds.  Captivated at an early age with textiles, I trained as a textile and materials engineer/scientist and spent over three decades researching and developing textiles for industrial and medical uses with the majority of my time at Johnson & Johnson, Inc. Over the years, I turned to studying social science researching and defending my dissertation on public health and the conditions of premature death for marginalized populations. Combine these distinct experiences in different countries and cultures I have worked and studied in and I find myself coming back to my fascination with textiles as I now use them to illustrate observations of the natural world through fiber and now, paper and ink.