Algae bloom on the river
Tying up the layers
Double weave
Double weaving the rectangles
River with rapids
Mohawk River & tributaries
Dry point with reticulation
Mohawk River Watershed
Reticulation
Nightlife in Childhood
Drypoint
Tumbling in Circles
Drypoint
Mohawk River & Watershed
Dry point with loosely outlines counties
Portions of Mohawk River Watershed
Industrial view from the Mohawk River
Chasing Shapes
Waves, Circles & Sharp Objects
Drypoint
Beaver Dam
These pieces are interpretations of my experiences in childhood, motherhood and my professional life. At times, tumultuous and chaotic and at other periods, soft and gentle.
Long Island Sound from Madison, CT,
Embroidery on the loom
Roller Coaster
Embroidery on linen
Raising Children
Embroidery on woven tapes
NJ Prison System
Embroidery on found fabric on the grounds of the form Edna Mahon Women’s Prison
Headless at Times
Embroidery on equine pads
System study
Embroidery on woven prayer flag
I love connections, especially ones that occur naturally and organically, ones that flow into and with each other and ones that honor humans and non-humans.
I have been loving and living fibers in many different forms for close to 35 years and still find it fascinating. For me, weaving is a narrative full of stories of how it became a textile; where the yarn was harvested, spun, twisted and dyed, how the loom accepted the weight of the yarn and moved into place to make the full tale of beauty and magic and meaning.
In recent years, I have added printmaking as a method of illustrating what I cannot through weaving such that the limitations of each medium can be minimized without a loss to the meaning of the work. I let the ink move through the crevices in the paper and rest where there is space and pick up and travel again. It is in the flow of the ink where the magic happens.
A resolute believer in multiple experiences, I have been fortunate to navigate and spend time in different worlds. Captivated at an early age with textiles, I trained as a textile and materials engineer/scientist and spent over three decades researching and developing textiles for industrial and medical uses with the majority of my time at Johnson & Johnson, Inc. Over the years, I turned to studying social science researching and defending my dissertation on public health and the conditions of premature death for marginalized populations. Combine these distinct experiences in different countries and cultures I have worked and studied in and I find myself coming back to my fascination with textiles as I now use them to illustrate observations of the natural world through fiber and now, paper and ink.